{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"The Avant-garde of Presence\n","author_name":"John Shepley (translation) \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"https:\/\/licra.contextxxi.org\/the-avant-garde-of-presence.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.contextxxi.org\/the-avant-garde-of-presence.html'\u003EThe Avant-garde of Presence\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EIn M\u00e9diations, no.4, Lucien Goldmann, recently turned critic specializing in the cultural avant-garde, speaks of an “avant-garde of absence,” one that expresses in art and style a certain rejection of the reification of modern society, but which, in his opinion, expresses nothing else. He recognizes the negative role of avant-garde culture in our century about forty-five years after the event but, oddly enough, among his friends and contemporaries. Thus we find, disguised as \u003Ca href=\"..\/the-avant-garde-of-presence.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}