{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Nostalgia Beneath Contempt\n","author_name":"Reuben Keehan \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"https:\/\/licra.contextxxi.org\/nostalgia-beneath-contempt.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.contextxxi.org\/nostalgia-beneath-contempt.html'\u003ENostalgia Beneath Contempt\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EIn a text entitled ’Poetry Above All,’ Benjamin P\u00e9ret opens the first number of the surrealist bulletin Bief with an attack on the situationists, to whom he attributes the idiotic project of placing poetry and art under the ’guidance’ of science.\n\n\u003Cbr \/\u003EMotivated by the grotesque intention to propagandize against the situationists, P\u00e9ret’s confused declarations cruelly reveal a mode of thinking from another century: an incapacity to comprehend the problems of the present, an incapacity \u003Ca href=\"..\/nostalgia-beneath-contempt.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}