{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Invisible Insurrection of a Million Minds\n","author_name":"Alexander Trocchi","width":"1200","height":"800","url":"https:\/\/licra.contextxxi.org\/invisible-insurrection-of-a.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.contextxxi.org\/invisible-insurrection-of-a.html'\u003EInvisible Insurrection of a Million Minds\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EAnd if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signalling through the flames. Antonin Artaud, The Theatre and Its Double, 1958\n\n\u003Cbr \/\u003ERevolt is understandably unpopular. As soon as it is defined, it has provoked the measures for its confinement. The prudent man will avoid his definition which is in effect his death-sentence. Besides, it is a limit.\n\n\u003Cbr \/\u003EWe are concerned not with the \u003Ca href=\"..\/invisible-insurrection-of-a.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}