{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"In girum imus nocte et consumimur igni\n","author_name":"Guy-Ernest Debord \u25aa \nKen Knabb (translation)","width":"1200","height":"800","url":"https:\/\/licra.contextxxi.org\/in-girum-imus-nocte-et-consumimur.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.contextxxi.org\/in-girum-imus-nocte-et-consumimur.html'\u003EIn girum imus nocte et consumimur igni\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EIn girum imus nocte et consumimur igni (film soundtrack)\n\n\u003Cbr \/\u003EI will make no concessions to the public in this film. I believe there are several good reasons for this decision, and I am going to state them.\n\n\u003Cbr \/\u003EIn the first place, it is well known that I have never made any concessions to the dominant ideas or ruling powers of my era.\n\n\u003Cbr \/\u003EMoreover, nothing of importance has ever been communicated by being gentle with a public, not even one like that of the age of Pericles; and in the frozen \u003Ca href=\"..\/in-girum-imus-nocte-et-consumimur.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}