{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"First Proclamation of the Dutch Section of the SI\n","author_name":"Paul Hammond (translation) \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"https:\/\/licra.contextxxi.org\/first-proclamation-of-the-dutch.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.contextxxi.org\/first-proclamation-of-the-dutch.html'\u003EFirst Proclamation of the Dutch Section of the SI\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EThere is no longer any meaning in the search to develop this or that cultural activity if one does not start from a general view extended to the whole of society. This idea, which forms the basis of all theories of the post-War avant-garde, is the characteristic that distinguishes it from the avant-garde of the previous period. Since the war, purely formal researches have ground to a halt and new developments in the style of a given art are no longer produced.\n\n\u003Cbr \/\u003EOn the contrary, the \u003Ca href=\"..\/first-proclamation-of-the-dutch.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}